Kip Polyard (Robert Gomes) suffers from obsessive-compulsive disorder and hasn't left his rent-controlled Manhattan apartment in 10 months. When Celine (Leslie Kendall), a beautiful young woman, moves in next door, Kip finds himself in an unlikely romance.

But trouble arrives in paradise when Celine's ex-boyfriend Andy (Frank Deal) shows up. Can Kip and Celine's burgeoning romance survive Andy's anger and jealousy? And is Celine harboring a secret of her own?

Body/Antibody is a dark comedy from LeisureSuit Media.

Electronic press kit including hi-res stills available at Body/Antibody EPK.

This short review from the Calgary International Film Festival is a very nice one that credits the "lead actors' textured performances" and calls it "one of the surprise gems of this year's festival".

A nice review and interesting thematic analysis that opens with "Body/Antibody will make you think about dichotomies in life, lose faith in love, and then make you re-think it all again." Over the course of the review, the critic also mentions our "exquisite cast" and credits us with having "more delicious twists than a Tastee-Freez cone".

Leslie Kendall on the local NBC affiliate morning show "Kansas City Live". Leslie was in town for the Kansas City International Film Festival. Her television appearance was so well received by Kansans that the festival had to move Body/Antibody to a larger theatre.

This review from Hungarian culture magazine Kultura.hu is titled "Classic Threesome in a Classic Six" and credits the film with "doing a great job of toying with the expectations of the viewer." It's "a spectacular and well-made movie," filled with "plenty of irony and great skill."

Very nice feature article from Elizabeth Chorney-Booth in FFWD. It opens: "A visually stunning low-budget movie is a rare find. A visually stunning low-budget movie with a compelling plot and terrific acting can be as difficult to come by as true love, or, say, a spacious rent-controlled apartment in uptown Manhattan."

This online magazine hails the movie as "an entertaining, smart and funny black comedy", and reports on co-director Kerry Douglas Dye's appearance at the festival: "Kerry Douglas Dye appeared at the screening and was very funny; with his perpetual motion and expressive arm gestures he totally came across totally as a T.V. evangelist ... it is the combination of director and movie together that will provide a lasting great impression at the open screening on Friday."

SEE gives Body/Antibody three and a half stars and credits its "refreshingly understated" performances and says the work of the directors "promises more good things to come".

An interview with writer/co-director Kerry Douglas Dye. They discuss modern understandings of neurosis, and whether Body/Antibody is a story that could only happen in New York City.

Coverage from our screenings at the Montreal World Film Festival. Hour is a popular English-language weekly in Montreal. This review, which also appeared in the print edition, calls Body/Antibody "a thrilling film noir/romantic comedy".

Coverage from our screenings at the Montreal World Film Festival (down the page a bit). Voir is a French-language alternative weekly in Montreal. The review is in French, but basically says, "at once funny, sexy and disturbing, Body/Antibody is worth leaving your apartment to go see." (That's a reference to the main character, who never leaves his apartment.) The print edition featured the movie very prominently, with a still of our two leads appearing right up front in the table of contents, representing all their coverage of the fest.

This review of the Northampton Independent Film Festival calls the writing "skilled and unique", the principle actors "very talented" and says the twists and turns "will keep you on the edge of your seat."

This review from the Mount Holyoke student newspaper declares that "Body/Antibody is easily the darkest, kinkiest, and funniest film I?ve seen in months."

Brief mention places us "way up high in our ratings for effectiveness, value and aesthetics."

This review of the Northampton Independent Film Festival says "through its camera techniques, deft acting and bizarre turns-of-plot Body/Antibody ... activates any latent OCD tendencies in the viewer."

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